JERUSALEM JEWISH FILM FESTIVAL and TEL-AVIV CINEMATHEQUE

Stuart & Yehuda Efroni at Tel Aviv Cinematheque

To Jerusalem for the film’s premiere in Israel and my wife Dana’s 50th birthday party, with close family in attendance. A heady mixture in the Holy City! It turns out to be one of the best and rewarding weeks I can ever remember, including a couple of days off at the Dead Sea and a standing room only showing of the film at the Tel-Aviv Cinematheque attended by 450 people. What matters most to me is that my uncle Menachem is with us, 81 and still playing tennis, 60 years after being gravely wounded defending a besieged enclave in Jerusalem.

Upon arriving in Israel, we are whisked through formalities by a culture ministry official and greeted also by a major article in The Jerusalem Post

Actors Topol and Yehuda Efroni help celebrate the film at the Tel Aviv Cinematheque with great pzazz, as they both knew Garri. Topol lights the candles for the hannukah festival on stage and sings in his famous voice, then making a speech before the film. My cousin Chasia also gives invaluable support in assuring this amazing turnout and catering.

Topol before the show with me

What makes touring with this film so special is the following event: an elderly but sprightly man comes out of the crowd. Zvi Halpern, an artist and veteran kibbutznik, explains that as a boy he escaped on the last day of the liquidation of the ghetto in the town that he and my father came from. Joining the partisans, he survived the war, and just like my uncle Menachem from the same town, got to Palestine and joined the Palmach (Jewish special forces).

Stuart & Menachem

BRITISH INDEPENDENT FILM AWARDS 28 November 2007

At the British Independent Film Awards

My how the event has grown. What used to be an upstart to the Baftas in the manner of the Independent Spirit Awards bearding the Oscars, the Bifas now constitute a very glitzy night out for celeb-spotters and freeloaders. The bash at the London Roundhouse was very well staged and even the food was good.

As Daniel Craig’s citation for the Variety Award played in speech and on the big screens, it was heart-warming to see the young man I had cast when directing the BBC’s Our Friends In The North scale the heights.

We were up for the Raindance Award, which is given to a film that played to a sellout screening at the Raindance festival and which had been against all the odds on a low budget. We lost to The Inheritance, made by a guy scarcely out of his teens who reminded me of myself 30 years ago, turning out a film on a sixpence with bags of chutzpah.

Well, after some years in awards wilderness it was good to be back at the table!

Warsaw International Jewish Film Festival November 2007

Warsaw - November 2007

Did you hear the one about the East European capital with scarcely any Jews, but two rival Jewish film festivals? That would be Warsaw.

Both invited my film on an exclusive basis, offering travel, hospitality for me and a guest etc.

By the time my wife and I arrive at the A festival, it has been all but crushed by budget cuts forced through litigation with the B Festival. The former B festival seems to have walked off with the state funding. Our host event now seems to be diving to Z status as our “hotel invitation” reverts to a futon bed on the floor of a flat belong to the harassed fest director’s girlfriend, in the outskirts of Warsaw. The festival cannot even afford to ship 35mm prints, with the result that films are shown in awful quality off DVD. I feel very sorry for them. And for us: Z-land for a week, with vouchers just for a sandwich and a coffee a day. It’s grim out East. Leaving the closing night dinner to which we were all specifically invited, we are all asked to pay our (hefty) share.

But as the first winter snow comes down, something magic began to happen. I encounter the most amazing band of Polish people who are not Jewish but who are helping to keep alive the flame of Jewish culture all but extinguished by Nazism and Communism. See my newspaper article in the JC

Raindance Film Festival (Best Documentary Nomination)

The UK Premiere of the film, on 1st October 2007, was a packed event at the Trocadero, presented, courtesy of Raindance, in High Definition format. Having been guilty of not paying attention to Britain’s largest indie event, I admire the low-budget ethos and enthusiasm with which it is run.

James Mullighan, Creative Director of Shooting People, conducts the Q&A with me which you can see in podcast form here – scroll down for various items on the film and its Raindance Q&A. Discovering the film for himself as we have neither distributor nor or publicist, James becomes one of the film’s champions, helping to put the word out on Shooting People via the above podcast page and other forums, and going on to provide valuable advice in how to release the film ourselves. Which we proceed to do!

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“TOVARISCH, I AM NOT DEAD” WINS TOP PRIZE AT BIOGRAFILM, BOLOGNA

I am very pleased to return from the 3rd Biografilm festival of Bologna, Italy, with the Lancia Award, awarded at the closing ceremony on June 10th.

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The Lancia Award is given to the director of the film which in, in the view of the festival, marks the most outstanding achievement in this festival dedicated to celebrating human lives.

Although Biografilm is a newish event on the festival calendar, it has given the Italian or European premieres to films such as Werner Herzog's Grizzly Man, Tarnation, KZ and works by Atom Egoyan, Paul Weitz, among others. There were 350 features entered, some of which had won awards at Tribeca, Amsterdam and other festivals.

There is something very emotional about receiving an award for such a personal topic, especially given the paradox that I could not really finish the film in the way I wanted while my father was alive, and therefore he could not be around to see this happen. I did feel that he was watching the award ceremony though, from somewhere.

Thanks so much to all those who helped so much in making the film and in supporting it!